26
2. In is an admission that the epics hyperboles.   jRanging from the sacrifice of the return of Rama to Ayodhya in the serial   c dent appears an evolution of the poet's i yana represents its actors as never moving in But ^uin the latter" says Weber himself,   ** h everywhere predominates and a number of   w« sonages are introduced, to whom the possit»ilit •existencecannot be denied......."   No scholar c
improbability in gambling, loss of kingdom,   » Besides the Mababharata deals with men and monkeys.   An advanced race of men can plaoe in the story of a ten-headed monster.   The  gx into the world's history, the more simple add world is.   So the Ramayana must have beeta co the Indian public had yet time to grow praetlc; ;able.
3. Rishyasriuga is represented in the ever in solitude and unseen by men or womem. of a hind and had a horn on his head.   The inti mythical character like this demonstrates the   an
4. In the Makabkarata Adifarvan a house oi is erected by a JUlecfa called Ptfrockana at ti Daryodhana, Again Vidura, trying to reveal tfoe •the lac house to his friends the Pandavas, €a 'maMleeha tongue uuunderstood by the aooor ^spulous. The war-portion of the same epic naxo^s hah° a dozen Mieefaa Kings taking part i& the ^w« , 93, 119, 122). On the contrary t